This is a past event.

MICHIGAN TECH MUSIC PRESENTS

NEW MUSIC IN THE MINE

PART OF NEW MUSIC AT MICHIGAN TECH'S NEW MUSIC WEEKEND

The seating for this show is general admission.

PROGRAM

Run Time Approx 60 min | Public Welcome

Get your tickets in advance for this annual sell-out! Hard hats are required -- and provided -- to hear this exciting new music by contemporary composers in the Quincy Mine hoist building.

Content Considerations // none

TICKETS

This performance offers Advance Student Rush tickets only.  Email rozsa@mtu.edu or call 906-487-1906 to reserve your student tickets. 

Public Pay As You're Able Tickets are available now. Michigan Tech Music believes that the foundation of an equitable and inclusive arts culture requires making events financially accessible to all. So, this year we are beta testing Pay as You're Able ticketing on a few events, including this one.

All public tickets for this performance are Pay As You're Able. Our "full fee" represents the value of the ticket. For you, Pay As You’re Able may mean covering your ticket price and part of someone else's through "full fee +." It could also mean paying half or some of the ticket price. Please pay what you can afford. 

ABOUT

Libby Meyer is a composer whose work reflects the natural rhythms and patterns of the world around her. Her music including chamber, orchestral, choral, wind symphony, film, dance and theater has been commissioned and performed throughout the United States. Libby holds a DMA in Music Composition from Northwestern University and is a Lecturer in Music Theory/Composition at Michigan Tech University.

Michigan Tech Music has a long history of high-quality music ensembles open to students from all majors on campus. Its composition program, bands, orchestra, jazz, and choral ensembles expose students, faculty, and the community to the artistic and communicative values of music and the power it has to change lives. Each group performs regularly in the Rozsa Center for the Performing Arts and in venues in the community.

ACKNOWLEDGEMENTS